Over the last forty years, contemporary French poetry has been living in a state of crisis. Pronounced dead – or worse, irrelevant – it has sought to reassert its value, define its current specificity, and delineate its difference from the poetic practices of the past.
Olivier Cadiot
Taking Deleuze and Guattari’s notion of ‘déterritorialisation’ as a point of departure, this article explores how certain forms of literature dismantle or disrupt dominant linguistic codes
