This article argues that the term ‘minor poetry’ gains an additional relevance for experimental twentieth-century poetry which grapples with its own generic identity, deterritorializing established conceptions of poetry, and making ‘minor’ the major poetic discourses on which it is contingent.
The idea was to create a project that would depict the way these ethnic minority groups live, what their daily lives look like, as well as how the government watches them 24/7.
This question of space — of how something takes up space, deconstructs it or contains it — preoccupied both artists throughout their careers.
This article considers the poetry of Jacques Roubaud, a member of the Oulipo whose constraint-based writing techniques often involve the revision and deformation of source texts.
Cusk flags up a great truth: other people’s conversations will only ever be filtered through the interpretive prism of the listener.
In contrast to a long history of erotic representations of female nudes, Pearlstein’s models are not sexualized. Their bodies are not offered up to the viewer’s gaze, but are positioned with a strange sort of nonchalant agency.
An interview with Catherine Pégard, President of the Château de Versailles.
The desire to carve out an “I” from a “we” — an individual self from a collective history — is a futile gesture.
Autobiography, Louis reflects, is a luxury the working class are rarely afforded.
Among the cats and sunsets and carefully curated cappuccino shots, Instagram finds itself home to a new literary phenomenon: Instagram poetry.
Daisy Sainsbury 