The book’s three-part structure, moving from “End” and “Middle” to “Beginning,” marks a departure from the well-trodden path of the broken-hearts poets club.
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While the promise of a steamy romp through well-to-do Parisian society might help sell “Adèle,” this is not where the book’s originality lies.
This article explores the constrained writing practices of Austrian-American writer Walter Abish in relation to those of the French literary group the Oulipo
Rather than offering an inventory of poetic imagery, as it did for Baudelaire, for many contemporary poets, trash provides productive conceptual models for poetic form.